My Health MD

If you look at a human brain, you will see that it’s split right down the middle into a left half and a right half. The two halves only share slender connections and they operate independently of each other.

The left brain is the one we use most of the time. It is the part of the brain that houses the speech and language centers. Most of us think in words most of the time. We have inner dialogues with our self all the time. It is so habitual, we do not even know it. Often, the only time we know we have a right brain is when we are sleeping.

The right brain is a wonderful world of color and music. That is where the seat of the imagination lies. The only connection outside of sleep that most of us have with the wisdom of the right brain is through the works of musicians and artists. Many psychologists are now suggesting ways to activate our right brain creative capacity. One of the things they suggest, believe it or not, is playing air guitar! Living in a left brain world is kind of like wearing a black helmet that keeps your imagination from taking flight. Playing air guitar is like throwing that restrictive helmet away.

It does not matter what media you choose to express yourself with, as long as it is not primarily language based. Music is the language of the right brain and so is an excellent start. Let us take a Dreadnought acoustic guitar as our example and put it to use as a tool for right brain activation.

It goes without saying that you can choose a Takamine acoustic guitar if you prefer. It is an air guitar, after all! Since you are not actually playing the instrument right now, picture your ideal guitar in your mind. Feel it in your hands. Admire its beauty. Now start playing the guitar in your mind. A riff you already know may pop into your head or you might be surprised to find yourself playing something totally new and original!

Try to hear the music playing in your mind. If you can, you are doing well! Your right brain has been activated. Before long, you will probably find the images and music fading and being replaced with words. You have used your left brain only for so long that it is going to try and take over just by habit. A good way to prolong your right brain journey is to fill in the experience by seeing yourself standing in front of an audience and playing for them.

When you’re done, you will probably feel refreshed and invigorated. Your right brain is not restricted by time and space and will have given you a break from the limitations imposed by your left brain. Try activating your right brain. You will be astounded by the difference it will make in your outlook on life!

We live in a left brain world. What does this mean? Well, in a nutshell, the human brain is split down the middle into two halves. There are only small bridges connecting the halves, so they act virtually independently.

The left brain is the one we use most of the time. It is the part of the brain that houses the speech and language centers. Most of us think in words most of the time. We have inner dialogues with our self all the time. It is so habitual, we do not even know it. Often, the only time we know we have a right brain is when we are sleeping.

The right brain is the brain of the feelings and the imagination. As a society, we have become so language centered that only musicians and artists remind us that we even have a right brain. Strange as it may seem, many psychologists suggest learning to play air guitar or do some other right brain activity in order to reawaken the creative, feeling side of the brain. Activating the right hemisphere is like taking off a black helmet that has kept you trapped in the small world of the chattering left brain.

If you choose, you can use something else for your imaginative journey, but for this example, we will choose music. Imagine you just picked up a beautiful new Dreadnought acoustic guitar. As long as your choice of media is not language-based, anything will do.

If you like, go into an imaginary guitar store and choose another brand, like a Takamine acoustic guitar. We’re not trying to promote a particular brand, here. The idea is to choose an instrument that you can identify with to use as your air guitar. Once you have chosen it, feel it in your hands and look at how beautiful it is. Now start strumming on your imaginary guitar. See what comes into your head. It may be a favorite riff or you might even find yourself playing your very own original composition.

Try to hear the music playing in your mind. If you can, you are doing well! Your right brain has been activated. Before long, you will probably find the images and music fading and being replaced with words. You have used your left brain only for so long that it is going to try and take over just by habit. A good way to prolong your right brain journey is to fill in the experience by seeing yourself standing in front of an audience and playing for them.

You will know that you have had a successful imaginary journey when you open your eyes and feel lighter and happier. The right brain is not restricted by time or space and you will feel the weight of the world fall off your shoulders. Go on, get to know your right brain. You will be happier for it!

Find out what inspires you and soak yourself in that. For me, going to concerts to see great players or bands inspires me to practice more. Listening to great singers inspired me to refine my vibrato and phrasing. Listening and studying the music of great classical composers inspired me to study music composition.

I wanted to write great music. Watching the movie Star Wars when I was a kid, reading Lord of the Rings, etc. inspired me as well. There are lots of non musical things that have been inspiring to me.

These are questions you should ask yourself. The two biggest practicing mistakes I have seen in students (besides not practicing enough) are: 1. Practicing is not goal orientated. 2. Not understanding the difference between playing one’s guitar and practicing one’s guitar. If you are having any difficulties with practicing, talk to your teacher about it. He/she should be able to help you.

You should be able to play all the techniques of the guitar. Van Halen did tapping but not with all his fingers as others have done. He didn’t play finger style much either, but we still regard him as an important guitarist, the same thing can be said for Vai and many others. Classical guitar master John William’s probably doesn’t play well with a guitar pick (I am assuming this to be true, I have no proof of it), but he is considered one of the greatest classical guitarists alive today.

Skills like improvisation, songwriting and playing with a guitar pick or not going to be high on his list of skills to acquire. This is because classical guitarists generally don’t do those things – and don’t need to to be great at what they do. These players are great players in their own ways and they have spent many years developing their skills. Learning everything about guitar playing would have taken away precious practice time from the things they needed to focus on to reach their goals.

Absolutely spend a good amount of time in practicing reversing that habit. Practice in a new way, where you make sure you do what you weren’t doing before. Analyze the essence of that bad habit, extract it from it’s musical context, and perhaps make up “auxillary exercises” based on the essence of it. Use all the practice techniques that I teach to effectively begin this process of reversal.

To be GREAT means I have to be BETTER than everybody else. We already touched on this one above, but it is worth mentioning again here. What matters is reaching YOUR goals, not someone else’s goals. Who cares if you are or are not better than someone else? This is not the olympics. Music is the art of expression (or for some people, the science of entertainment).

Playing the guitar well is not reserved for just some special people. It is available and possible for everyone.

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Through this article you are provided an overview of the opportunities that are available to you when it comes t learning the guitar online, including learning finger picking. The fact is that finger picking is one of the more basic techniques that a person interested in guitar can learn. Therefore, lessons online are rather easily accessible.

When you are choosing your repertoire, you can spread your net wide. No need to stick to the Top Forty, go for the Top One Hundred of whatever decade you feel comfortable with. An easy way out that does not need too much research is to just jot down a bunch of Beatles titles.

There are also songs that maybe should not be played. “Wonderful Tonight” by Eric Clapton, “Freebird” by Lynyrd Skynyrd, “Smoke On The Water” by Deep Purple and “Yellow Submarine” by The Beatles are contenders for this list but that probably only applies if your audience is sober.

In this regard, these interactive sites can be well suited to novices and more experienced players alike. Once again, as with other types of sites online, you can learn techniques like the funk-skunk on interactive sites that are running online today. Finally, there are online guitar playing communities through which people like you can learn a vast array of guitar techniques including such things as funk-skunk.

Yet. If you are one of the lucky few (like me), who can just pick up a guitar and start to jam, I guarantee you will still have bad habits that will actually restrict you from becoming better than you actually are. Remember that there are pros in the world who are only pros because of the hours, days and months spent refining and perfecting their technique. To give you one example, I play for 2 hours a day where I can, and I know that I am still far from perfect.

Using backing tracks you will be always playing in time and you will find that you are looking forward to your guitar practice because you enjoy playing with a band in your bedroom. When you have obtained some backing tracks to help you with your guitar practice, start using them right away. And if you find after a week or so that you are beginning to practice without using your backing tracks, make an effort to go back to using them.

Chances are though, you already have a guitar. It’s the weapon of choice of the heart broken isn’t it? You probably GOT a guitar because you were sad about something. Nothing like a six string box to pour your heart through. Something about the twang of the strings just tells you, yeah, I feel your pain.

To get some insight into the evolution of flatpicking guitar playing, it might help to look at how Doc Watson, whose guitar playing career began in the nineteen fifties, contributed to the use of flatpicking guitar in bluegrass music. It was simply that the band he was working with did not have a fiddle player and Doc was not able to become a good fiddle player himself. So because he enjoyed fiddle tunes, he simply learned how to play them on the guitar.

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Like you probably have done, I have read a ton of interviews with great players and articles written by many of these same players. I often found it frustrating whenever the subject of learning to play guitar came up or when advice was offered on improving one’s playing. With a small number of exceptions, very little time and space was offered on this.

Despite the fact that many successful don’t really talk much about this, you can find some that do. Believe me, becoming successful is a lot more than just practicing and luck! REMEMBER that their strategies won’t necessarily work for you because your goals may be different than theirs were. Still you can learn from it.

Believe in yourself. You have probably heard that phrase many times before. Its unfortunate how many people still refuse to invest their own beliefs into themselves. I wrote an article on Perseverance which deals indirectly with believing in yourself. Please read it if you have a problem believing that you can reach your goals.

The only time one needs to learn lots of different styles of music is because your goals REQUIRE it. If you truly love a lot of styles and want to learn them all, then go ahead and do that. If you want to be a studio musician or a jobber, then you will need that versatility. Its very hard to be REALLY good at many styles.

The way you view yourself (as an artist and not merely someone who owns a guitar and plays it sometimes) is very important to the way you will think about what you are doing musically. The way you see yourself will also effect the results you will get as you are expressing yourself.

Now that we have the proper attitude in focus, let’s talk about how to go about “managing” the process of changing bad playing habits. How do we actually conduct ourselves, and our practicing and playing? As I have said, some people become paralyzed, afraid to play, afraid of undoing work done in practice sessions by what they do when they play. And for those who play professionally, it is of course, absolutely necessary that they continue to play, even if they are doing “remedial” work on their technique.

You can undo bad habits you have learned along the way. You can begin the process of undoing bad habits right away, when you begin to acquire the correct understandings, and use the approaches based on them.

For instance, practice chord changes. Perhaps switching from an F barre chord to a D open is driving you crazy. Spend ten minutes going over and over the change.

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There are a variety of different ways to learn how to play bass guitar and the varieties all can have an impact on how you learn. For instance, if you wish to play blues music bass lessons for blues music would be really focused on your style but bass lessons can be taken for all styles, genres and levels. There are even differences in wanting to be solo musician playing around the house for fun and playing in a band which will cause variations in how you should learn your new instrument.

A bass guitar is heavy and cumbersome to carry around, because of all the supporting gadgets that come with it, not to mention the long cables that accompany all of the gadgets. Bass guitars are expensive to purchase, and also tough to learn. But these are indispensable in any pop or rock band. A bass guitar can indeed be the most prized possession of a devoted bassist.

As such, the bodies of bass guitars need to be made of lightweight materials so that the weight is manageable. If a bass guitar was made of metal, chances are that a lot of guitarists would find it difficult or even impossible to play it. The preferred materials are wood and graphite, and different kinds of wood may be used, including maple, alder, mahogany, rosewood, etc. The strings are usually made of steel.

Identify the parts of the bass guitar. There are typically four strings, and the components are very similar to a guitar. The thickest string is the E (the topmost), followed by A, D, and G, and are also referred to as 4, 3, 2, and 1 respectively. On the neck of the guitar forming a grid-like pattern with the strings are metal strips called frets that make the notes produced higher as it goes farther from you.

Feel the beat, playing the bass guitar differs primarily from playing a regular guitar because it entails an emphasis on the beat of the music. One can compare the bass guitar into a drum or percussion set that is made into a guitar. Beats are very important in playing bass guitar because this type of guitar gives depth and timing to any song.

Attacking The Strings: The most important part to remember while starting to take slap bass lessons is the amount of intensity used to attack the strings. Now that you know the proper hand positioning and wrist movement you must know how to attack the strings with your thumb. With your thumb in position as described under the Hand Positioning section strike the low E string with the middle knuckle of your thumb and hit it pretty hard to get that classic “thump’ sound and then immediately release.

Make yourself a jam track and practice soloing. Learn little trick that you know you can rely on to make a cool lick on the spot. Remember, practice makes perfect! So go show those guitar players that they need to up there game because now they have the bass guitar right behind them ready to take the spotlight

With all these in mind, strum your way to mastering how to play the bass guitar and be a rock star in your own right.

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Are you serious about wanting to improve you bass guitar playing? If you are, then one of the most productive things you can do is work on your scales. It has even been said that the level of your scale playing pretty much determines the level of your bass playing overall! I have designed these exercises to help you to develop a more accurate sense of rhythm and to improve the speed and agility of your bass guitar scales.

You may wish to concentrate on bass scales or perhaps you just want to help the drums anchor the sound. It may sound like a tough choice if you are unaware of what style you want to learn but it may help you in the long run. If you want to become an excellent bass guitarist then you should always strive to learn new and interesting skills on your instrument.

It can be played by plucking, slapping, tapping, popping, or by picking the strings with a pick. The bass guitar looks somewhat similar to an electric guitar, but with a larger, heavier body, a longer scale length, and a longer neck. The bass guitar usually has four strings, tuned one octave lower in pitch than the four lower strings of a guitar.

For instance, you’ve already heard about “slap bass” for sure. Slap is a very common technique and, because of the use in rock situation it has became one of the most popular technique in bass playing nowadays.

Besides, this will give you a chance to expand your instrument sound range, giving it more depth and compression. There are different variations of slapping the string. Slap bass techniques are commonly found in all types of music, but most notably in the funk, Latin and pop styles.

Unfortunately, it turns out to be harder than it looks. Here’s why: The muscles that move your hands and fingers across the neck and strings are rarely used for other tasks. The fine motor skills needed to play a stringed instrument require that the small muscles of the hands be strengthened. So when you take up the bass, you’re like a baby learning to walk: Not only do you have no idea of what you’re doing, you don’t even have the muscles to do it.

Imagine a scarecrow in a corn field – that is how your arm should be bent. With your arm bent in this position it will allow your hand to be in the perfect position to allow your wrist to move freely to strike the strings.

With all this is in mind, now you should start for taking your lessons. It don’t matter if you hire a private teacher, learn by yourself or get some online lessons, whatever works for you will be the right path to take if you’re just beginning.

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I recommend getting a bass guitar though, because the strings are fatter, harder to press than those of an acoustic guitar, and the frets are wider apart. You can learn on your own, but looking up tabs, listening to songs and individually listening to the bass lines and trying to figure it out.

In playing the bass guitar, one should always take one lesson at a time. Bass playing requires repetition and there’s no sense in hurrying the learning process, one should feel the notes through his soul and through his heart and become one with the bass guitar.

If your strings ever break mysteriously at the bridge, check your saddles. If there are any string “bite” marks, snags or burrs on the saddles, it means that they are wearing down your strings and the constant vibration of the strings makes the burrs act like little saws on the windings of the string. Eventually the core gives in – and POW, there goes a string – and possibly an eyeball.

Beginner bass players should learn these right away to save them years of time, trouble and frustration, but that most often never happens for them. Intermediate bass players have to have some patterns under their belt to even be at an intermediate level, however, they are usually the most frustrated players because they feel like they are getting somewhere with their instrument, but the are so held up with partial information that they can’t move beyond where they are at.

Advanced players must have some command of scale, chord and arpeggio patterns, to be advanced, yet often they get real fast and efficient with enough patterns to impress others and get by, but they realize how extremely limited they still are, and how they are not really as advanced as they would like to be because of their insufficient scope and grasp of a complete mastery of the fretboard with the current patterns that they already know, as well as the theoretical aspect behind the patterns and their use.

The mathematics of this exercise work out so that you must play the scale through 3 times before the accent will again fall on the beginning note. That is one reason why this exercise is so beneficial. Be patient and practice this exercise until you can play it all the way through the three repetitions without mistakes.

This means that in the future you may feel the benefits from experiencing some different styles of playing bass guitar in your development period. This means that bass lessons can be invaluable at any stage of your playing career as there is always time to learn new skills and styles. People should always try to evolve and develop new skills and even their musical preferences can change over time.

Use your left thumb as a pivot, keeping your elbow out from your body so that it can swing back and forth freely. Curve the fingers of your left hand out over the neck to reach notes on the thicker strings; as your thumb pivots. Play the notes on the thinner strings with your fingers flattened more against the neck, your elbow pulled back, and your left thumb standing almost out straight from the neck

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It seems strange to me how many incorrect assumptions and teachings there are about becoming a better guitarist. Here is one thing that is NOT true.

Find out what inspires you and soak yourself in that. For me, going to concerts to see great players or bands inspires me to practice more. Listening to great singers inspired me to refine my vibrato and phrasing.

This is the most close-minded philosophy I can think of. Musical skills are tools. One should want to obtain and master as many of these tools as will be needed to reach your goals.

Beethoven probably had no natural ability known to himself for along time. He didn’t even begin composing much until around the age of 30! He was not a child prodigy like Mozart and Chopin were.

If you are wondering why I haven’t given you a detailed explanation of the strategies I used in the past, it would be pointless for me to tell you what my strategy was, because it was specific only to my goals. Chances are, your goals may differ greatly from mine in many different ways.

Define your purpose. What is your definite purpose? Do you really know what it is? If I were standing in front of you right now and asked you this question, could you give me specific answers and explanations? Can you write it on paper in specific terms?

This is critical to setting goals, planning strategy and monitoring the results, etc. When all the enemies of progress start to creep into your mind, you will need to bring your definite purpose to the forefront of your thinking. I have seen procrastination, fear of failure, self doubt, lack of motivation, temporary setbacks, and other negative things bring people with great potential to a halt. Knowing your definite purpose and reminding yourself of it when a negative thought comes into your mind will help you overcome it.

Begin to do all the Foundation Exercises, because they will start to undo the foundation of all your bad habits. Do them every day for perhaps ten minutes. If you are not using my book, get all you can from my essays, and apply those approaches, experiment with them, and elaborate upon them, and adapt them to new situations.

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There are a variety of different ways to learn how to play bass guitar and the varieties all can have an impact on how you learn. For instance, if you wish to play blues music bass lessons for blues music would be really focused on your style but bass lessons can be taken for all styles, genres and levels. There are even differences in wanting to be solo musician playing around the house for fun and playing in a band which will cause variations in how you should learn your new instrument.

Whether you want to learn flashy new skills or maybe even just learn about bass scales, it’s possible to do everything you could have ever wanted. There is a great number of different skills involved with playing the bass guitar that it would be nigh on impossible to master everyone but having fun is surely the most important issue.

To answer your question on how to tune a bass guitar, since I don’t know exactly how many strings are on your bass guitar I shall present you with different options, namely, 4-string, 5 string, 6 string, and 7 string basses. First of all we shall look at the standard tuning of bass guitars.

Online bass lessons also will offer you the chance of explore all the techniques available. The sites that are offered in all the teaching sites, generally comprehends from the basics to most advanced topics. And slap bass lessons is one of them, be sure that you’ll get one that cover slapping, because it is a fundamental bass technique.

Besides, this will give you a chance to expand your instrument sound range, giving it more depth and compression. There are different variations of slapping the string. Slap bass techniques are commonly found in all types of music, but most notably in the funk, Latin and pop styles.

Bass practice with fretboard patterns should include things such as the use of sweep picking with the 3 note per string pentatonic scale in the rock or blues bass style. You want to be able to practice with many different scales patterns as possible so that you are able to execute the runs and licks and lead lines of a wide variety of bass players and style of music that you personally are interested in.

Another thing to point is not to get anxious to play a solo. Bass is mainly focused on keeping time, and in popular music there are a few tunes that include a bass solo. So, don’t rush up, find the right moment for playing a solo, do it musically and pick the notes with care.

Hope that this helps you take the first steps in learning bass. You should be able to express yourself, of course. But without this information, there are no elements available for expressing yourself!

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